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Crush, Kill, Destroy
An interview with Paul Resnick of
Nucleon
By Bob
Ignizio |

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Nucleon l to r: Rich Troha, Danny
Cohen, and Paul Resnick |
Nucleon (Paul Resnick – vocals, synth bass and space
sounds, Rich Troha on guitar and effects and Danny Cohen on drums) begins
every performance by stating that their audience will be destroyed. Due to
a serious string of bad luck, however, Nucleon itself came close to
destruction. “The Euclid Tavern was our home away from home. We ruled that
club. When that closed, that kind of dropped the bottom out for the group.
Then we got all our equipment stolen, and our old drummer broke his back,”
says Paul. “Those things put us on hiatus for a little bit, but we’re
coming back now.” On the night I spoke with Paul, Nucleon had just made
their return official with a performance at the Cleveland Agora Ballroom.
The
band, which started its sonic assault on Cleveland area music fans in July
of 1995, plays a style that Paul describes as “heavy space rock.” “We’re
definitely coming from the space rock, stoner rock community. We like to
mix in the Fu Manchu, Monster Magnet, and old Black Sabbath sound with the
Hawkwind stuff,” says Paul. Having such an unusual sound can make finding
appropriate gigs a bit tougher, but on the plus side the band is more likely
to stand out as something different. “Everybody who sees us likes us, but
as far as getting gigs it is a little more difficult because we don’t fit
into any predefined niche. We still play all the space rock festivals like
Strange Daze, but whenever we play live in town we always seem to be lumped
in with a lot of metal bands,” says Paul.
The annual Strange Daze festival, which unfortunately
did not take place this year, has allowed Nucleon to play with Hawkwind and
its various spin-off projects, as well as other like minded bands from
around the world. “Going up on stage and talking to all the Hawkwind guys
and sharing the stage with those guys was incredible. Dave Brock is my
hero,” says Paul. In fact, before Nucleon Paul was in a band called Space
Core which arguably sounded more like classic Hawkwind than anything that
venerable English band has released in years. 
Aside from being influenced by other musicians, Paul
also draws inspiration from film. In particular, the sort of foreign art
film that features guys in rubber suits smashing model cities while hundreds
of extras run screaming. “Kaiju rules. All those Japanese monster movies,
I’ve got almost all of them. In fact we watched ‘Gamera vs. Gyaos’ last
night. The 1961 version. I was up til 3:00 last night watching Gamera
fight the evil pterodactyl monster,” says Paul. The influence comes through
strongest on the song “50,000 Feet Tall” which uses Akira Ifukube’s
signature music for Godzilla as its intro. While just hearing that classic
piece of film music is enough to put a smile on this writer’s face, the rest
of the song kicks major ass as well.
Prior to their string of bad luck, Nucleon recorded
their debut CD, ‘Hyper Emitter’, for local label
Manic Moon Records. “It’s
distributed through mail order and through our
website. It’s out there, we get a
lot of college airplay including out of state and overseas. We’ve been on
92.3 as well,” says Paul. The band is also working on new material. “I’m
the main writer currently. Rich contributes, and now that Danny’s in the
band he’s starting to contribute. The song “The First Destroyers” that we
played tonight, that was a triple bill of writing on that one,” says Paul.
As the old saying goes, what doesn’t kill you makes you
stronger. Having survived more bad karma in so short a time than any band
should have to, these guys ought to be strong indeed. With their problems
now behind them, Nucleon is ready to resume their path of destruction once
again. You have been warned.
Visit Nucleon's
website.
More Nucleon on Utter Trash:
Concert
review and pictures:
The Agora 11-22-02

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