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CL1 – ‘Life in the 419’ (self-released) 

CL1 are a four piece Toledo band who describe themselves as working class punk. Eric, Sam, Marc, and Jenn are hardly new to the local scene, all carrying a pretty impressive resume of past ventures(i.e, PKM; Slave March; Anti-; Social Angst; Left for Dead; Broadzilla; and The Ballistic Idiots).  Their debut offering, ‘Life in the 419’, is hardly a ground breaking innovation, but never pretends to be. It’s straight forward punk rock heavily influenced by the likes of Rancid, Discipline, The Ramones, and basically any classic Oi! band. There is really nothing left to say about this album except that if you like classic sounding, anthem-y, Oi!, punk rock, then cop this album. If you’re looking for something new and innovative (good luck on that), then this 6 song demo by CL1 may not be for you. For more info on the band, please visit www.soundclick.com/bands/6/cl1.htm . (Dave Evans)


Dio – ‘Master of the Moon’ (Sanctuary) 

The godfather of heavy metal is back, this time with a noteworthy blistering slab of good old fashioned HEAVY METAL that old-line head-bangers like myself pine for.  You know, it gets a bit redundant to keep saying "this is the best Dio release in years", because quite a few reviewers have said that about the past three Dio releases.  And yet, the master of the metal yell keeps, somehow, coming up with music that's just as fresh and vital as in his "heyday" of the late 70's/early 80's when he tore up the music scene with Rainbow, Black Sabbath, and the first Dio solo band (featuring current Def Leppard guitarist Vivian Campbell).  Just when you think "that's it...he's got to make a sucky album next time...nobody can keep writing this many great songs in a row!", then he comes out with surprise after surprise.  One of the standout tracks, "The Man Would Be King" is an out-of-character political statement about our moron-in-chief.  Other killer tracks include "Shivers", "Living The Lie", as well as the title track.  CHECK THIS OUT!  The Heathen Hippy gives it four pointy-fingered devil horns salutes. (Taliesin A. Govannon)


Eric Wrong And The Do-Rights – 3 Song Demo (self released) 

There’s not a lot of info on this homemade disc from this Columbus band, other than a list of song titles and contact information. This CD only contains three tracks “I’m Lost”, “Rattlesnake Shake”, and “We Don’t”. They’re all pretty good. But in this day and age it’s really hard to single out a punk band that’s doing something that hasn’t been done one-thousand time before. Personally I always hate getting a mediocre review. As Johnny Rotten once said “a negative reaction is better than no reaction at all.” I like these guys, and I know from experience that playing original music in Ohio is always an uphill battle (I’m sure Columbus is no better than Cleveland, Kent, and Akron). So, just keep rocking and fuck anyone who says you don’t rock!  For more info, go to www.ericwrong.com. (Scott Stemple)


Fates Warning – ‘FWX’ (Metal Blade) 

This year marks Fates Warning's 20th year as a recording entity, and to celebrate this they've released their tenth studio album, appropriately titled ‘FWX’.  I've long believed that Fates Warning is one of the most underrated progressive-metal bands ever, and this album just drives home that fact.  ‘FWX’ is a wonderful piece of intelligent, thought-provoking hard rock, marked by inventive arrangements and memorable vocal lines.  Sole original member Jim Matheos' guitar work is crisp yet powerful, and Ray Alder's vocals have aged well.  The only complaint I may have is that there seems to be little of the groove-twisting odd time signatures that have been a constant of Fates Warning's sound over the years...hell, this is a band that once released a *single* in 5/8 time!  However, the strength of the songwriting more than makes up for all of the 4/4 measures, especially on songs like "River Wide Ocean Deep" and "Another Perfect Day".  The tenth track on this tenth album, "Wish", wraps things up nicely.  The Heathen Hippy gives this four measures of 7/8 time. (Taliesin A. Govannon)