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Hellcats in High Heels

Sleepless

The Real Casino

To All a Good Night

Hellcats in High Heels’ (2004, Sub Rosa)

Directed by Justice Howard  

Justice Howard is a photographer who specializes in classy erotica and artsy celebrity portraits.  Howard definitely has a good eye and some interesting concepts, and if you want to check out some of her work as a still photographer head on over to her website.  But taking carefully posed and composed photos and shooting a moving image are two different things.  So how does Howard’s vision translate to video?  Well, it’s a bit of a mixed bag, but overall I’d say it works pretty well.   

This DVD is actually 3 movies on one disc, including volumes 1 through 3 of the HIHH series.  Volumes 1 and 2 each contain a number of interesting vignettes and run about an hour long.  Various models engage in fetish play, dance, and/or pose while punk, electronica, garage rock, surf, industrial, and heavy metal songs play in the background.  Sometimes the models are alone, sometimes they’re with other models.  There’s hardly any dialogue (volume one is completely free of speaking parts) and no plot to any of it, but it’s a pretty enjoyable viewing experience if you like this kind of erotica.  Whatever fetish you can think of, chances are it’s represented in these first two installments.  There’s light bondage/S&M, foot fetishism, “pony girls”, latex, fifties “bad girls”, and naughty nuns.  Some of this footage is given cheesy computerized effects, but thankfully not too much of it.  There are also a couple of scenes of simulated lesbian sex of the sort you might see on late night cable (shot with a more artistic eye than your typical erotic thriller hack director) but nothing that would qualify as hardcore. 

Volume 3, however, gets a little tedious.  Now I personally like Julie Strain, but she’s in way too many segments of this installment, and pretty much just does glamour girl poses in various costumes in all of them.  The rest of this installment includes way too many looong scenes of girls dancing, working out, or otherwise engaged in solo strip tease type activities.  It’s sort of like watching one of those old fifties burlesque movies like ‘Varietease’ or ‘Teaserama’.  The music is also a step down from the first two volumes, with way too much bad industrial for my tastes, and the cheesy video effects seemed more annoying this time around.  This installment also clocks in the longest, at almost an hour and a half.  I’m sure there are viewers who would still enjoy it, but it left me kind of cold.  But that’s ok, because volumes one and two are certainly worth the purchase price on their own, provided you’re looking for artsy erotica and not hardcore or something with a plot.  Note:  Utter Trash interview subject Mistress Persephone appears in volume one.  (Bob Ignizio)

The Real Casino’ (2004, Sub Rosa)

Directed by Joseph F. Alexandre 

This is a short documentary on the real people that the Martin Scorcese movie ‘Casino’ was based on.  If you’re a fan of that movie, or gangster lore in general, then you’ll probably want to check this out.   Unfortunately, this doesn’t really get too deep into the subject, mainly because none of the interviewees are willing to talk much.  While the real life inspirations for the characters in ‘Casino’ may be dead, the Mafia is still very much a going concern, and loose lips could result in dire consequences.  So what do we have?  Well, we get some interesting interviews with people who knew the inspirations for the characters, some of whom were in the mob themselves, some of whom were in mob families, and some of who just had to deal with the gangsters in the course of their lives.  You get a few good stories and some clarification on what was real and what wasn’t in the movie (apparently most of it was pretty close to the truth), and some bonus behind the scenes material and outtakes that help bring the total running time of this disc close to the hour and a half mark.  This is a fairly well made film, but there's just not much to it.  I can't say I blame the filmmakers - I wouldn't want to wind up taking a swim with concrete boots on, either.  But ultimately, there just isn't that much of substance left to make it into this documentary.  (Bob Ignizio)

Sleepless’ (2001, grey market tape)

Directed by Dario Argento 

The latest Dario Arergento movie.  It has been out for years now, and all that has been released in the US was a crappy full screen cut version on DVD.  What's the point?  But thanks to the nice people at b ware, we now have access to a cool widescreen uncensored version.  While this is by no means on the level of Argento classics like ‘Tenebrae’ and Opera (my 2 Argento favs), it is definitely not as bad as garbage like ‘The Stendahl Syndrome’.  It seems someone is killing people with the same methods used years before by a mean dwarf killer.  Is it the same person, or a lame copycat?  You will have to sit through it like I did to find out, but in between there is some stuff to discuss.   

Most noticeable is the lack of previous Argento trademarks.  There is not really any wild camera work or visual flairs like there used to be, minus the red carpet/decapitation scene.  That’s too bad too, because it plays more like a random slasher movie than anything like before.  I always thought the extra visuals always moved Argento's work above what it would have been without them. Sadly, not very much of that is to be seen here.  Also, when we find out who the killer is, it was kind of a letdown, as was how they explained the existence of the dwarf.  But not to fret, it is not all bad.   

The acting is way above par, especially by Max Von Sydow.  I thought he was underused in this, but when he is on screen he is good.  Also, in the uncut version there are two scenes of gore which are quick shocking.  One is basically a well executed rip off of the ending of ‘The New York Ripper’, but the other is a death via flute, which is graphic and bloody and actually made me sit up and take note.  Job very well done.  While this movie never reached the glory of some of his previous work, Argento manages to give us a mildly enjoyable slasher, with a few twists and turns.  Check it out.  (Edward Black)

To All a Goodnight’ (1980, Media)

Directed by David Hess 

I have always been a huge fan of slasher movies and this one comes from the golden age of such films (the early 80's).  Add on the fact that this one was directed by the king of all things grim and wrong, David Hess, and my hopes were already high.  But I'm sad to say this one is a mixed bag.  The plot of this one concerns a group of college kids who stick around a deserted girls college during Christmas break for a wild party.  The party isn't very wild at all, but it does give a crazy person dressed up in a Santa Suit an excuse to kill people for ninety seven minutes.  Of course, the acting is going to be bad.  No surprises there.  There are even the requisite cardboard characters from every other slasher movie ever made before and since this one.  There is the creepy handyman, the strict housemother, the loose girl, the prude girl, the drunk jock, etc.  Nothing new there, either.  I hope I don't sound too down on this one so far, because what I've mentioned is to be expected of this kind of film.  That’s why I love them.   

A lot of people die in ‘To All a Good Night’, which is good.  A few of the murders take place outside and at night, and it is way too dark to see what is going on, but most of those victims are only stabbed.  Besides that, we are treated to a pretty nasty throat slashing and a scene where a copulating couple are killed via cross bow and decapitation.  Also of note is a sex scene where the woman and the guy both make mooing noises that sound like an actual cow was dubbed into the soundtrack.  No joke.  Also, the ending was a great non surprise, and everyone I watched this with had it figured out at least twenty minutes before the big finale.  So, as long as you are looking for a completely generic slasher movie, with some above average death scenes and a semi poke at the ‘Psycho’ shower scene, then by all means check this out.  (Edward Black)