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Frankenfish

Malevolence

Land of the Dead

Man-Thing

Frankenfish’ (2004, Columbia/Tri Star)

Directed by Mark Dippe′ 

Maybe it’s because I just recently had to suffer through ‘Razorteeth’, but I found this killer fish movie fairly entertaining.  ‘Frankenfish’ is yet another ‘Jaws’ rip-off, full of one dimensional characters and generic plot devices.  But the monsters are kinda’ cool, it delivers on the gore (even if it is CGI), and the actors are good enough to play this goofy material straight and almost make you buy it.  Speaking of the actors, is male lead Tory Kittles (who plays “Sam Rivers”) Denzel Washington’s understudy?  Watch this movie and tell me if I’m crazy.   

Anyway, medical examiner Rivers and Mary Callahan (China Chow), a biologist, are investigating a chewed up corpse found on the bayou.  A friendly Cajun fisherman takes the two to a small settlement of house boats where the fish food… I mean supporting cast are.  There’s also a “great white hunter” type responsible for letting the fish get out in the first place who turns up with his lackeys.   One of the people on the houseboat is the lovely Eliza (K.D. Aubert), who has been nursing a crush on Sam since high school, although she’s currently involved with an asshole lawyer (is there any other kind in cheesy horror movies?).  In typical horror movie fashion, the characters are put under siege by the titular beasties. 

By no means is this a great, or even a good movie.  But it is a fairly enjoyable way to kill 90 minutes if you’re in the mood for a giant killer fish movie.  The tagged on “set up the sequel” ending is stupid, and I’d like to say unnecessary, but I fully expect ‘Frankenfish 2’ or ‘Frankenfish vs. Python vs. Boa’ to hit the video store shelves any day now.  Aside from the gore, things that might interest schlock fans include a little bit of nudity, a blowjob scene, some “where the hell did that come from?” dialogue about lesbianism, a pet cheetah cub for no reason, and a Viet Nam vet character eating the heart of one of the fish.  Not surprisingly, this has played on Sci-Fi channel with the gore toned down and the nudity cut.  (Bob Ignizio)

Land Of The Dead’ (2005, theatrical release) 

Directed by George A. Romero   

This one has been a long time coming.  A real long time.  Ever since ‘Day Of The Dead’ was released in the summer of 1985, fans have been waiting patiently for the finale to the most celebrated series in the history of horror film.  Numerous projects were proposed or talked about through the years but none ever came to being.  But times changed and horror is now a highly profitable genre.  So after years of bad zombie movies (like the ‘Resident Evil’ series), unofficial sequels (that dreadful ‘Day Of The Dead’ sequel), a completely pointless remake (‘Dawn Of The Dead’) and one halfway decent zombie movie (‘28 Days Later’), word spread that George Romero had been given the go ahead to finish up his series.  And after the extremely long wait, I'm stuck writing a real hard review.   I can't help shake the feeling I get that this, while far from a bad movie, could have been a lot lot lot lot lot better.  I'm not even referring to the gore, which will be restored to the inevitable director’s cut DVD.  I'm referring to the sense that when it ends, I kind of sat there wondering to myself, "Is that it?" 

Now don't get me wrong, this is a good horror movie and it's not often you get to see intestines splash across the screen in a major release movie like this.  In fact, the gore is a lot more than what I was expecting.  There are numerous head shots, throat gnawings, arm choppings, zombie bites and other filth to please most horror fans.  Watch for the scene with the corpse getting his insides pulled out of his mouth.  Nice!  It’s definitely not a blood bath on the level of ‘Day of the Dead’, but there is still some good grue here.  Besides that, the action moves along well, pretty much dealing with two separate groups of people, one looking for the other.  There is a lot of personal interaction with the characters and, thank God, none of the acting is real bad because it would have ruined the movie.  John Leguizamo, who I sometimes hate, was even pretty good.  Dennis Hopper wasn't as bad as I have read he was, but he seemed out of place here and his eventual demise was a lot less than I was hoping for.  And genre star Asia Argento is here as well.  I've been obsessed with her since ‘The Church’ (1989) and she is fantastic here.  The person I saw this with said that, and I agree, the pace of the movie picks up when she arrives.  It was like she brought some big energy to the movie.  And lastly, the rest of the group is made up of random characters, the most likable of which is a mentally slow burn victim.  So there was definitely effort on creating some likeable characters.   

Don't read this paragraph if you have not seen the movie.  My only big huge complaint with the movie was that barely any of the main characters die.  All the zombie munchings are mostly characters we only know for a few minutes or random people who appear, only to be eaten a few seconds later.  I think a big chance was passed up on some David (‘Dawn of the Dead’) Emge quality reanimations.  Because when the movie ended, I was wondering why so much of the main cast was still alive.   

Now you can read if you have not seen the movie.  Ok, so we waited years and years for this and I am about 80% pleased with this, I just wish I could shake the "it could have been more" feeling.  I predict two things.   One, this will either be a complete flop and George Romero will never make another major release movie.  Or, two, it will be a huge hit, make millions of dollars and he will spend the rest of his career making the movies he wants to make with the money he should have been given for this.  I am hoping for two, because it is nice to see one of the masters doing what he does best and while not great, this is 100 times better than any theatre released horror movie that I have seen in a long while.  (Edward Black)

Malevolence’ (2004, Anchor Bay) 

Directed by Steven Mena   

A group of robbers attempt top rob a bank, but things go wrong and people wind up dead and then the robbers wind up on the run from police.  One of them even manages to kidnap a mother and daughter on his way to the house.  The robbers split up and agree to meet at a house.  Unfortunately for the robbers, the house has a nasty past.  This is a full throttle 100% homage to the slasher movies of the 1980's. In fact, if I had not known about this movie before I had seen it and someone had said, "hey this came out in 1987", I would have believed it.  But that is where the movies fault lies.  Everything from slasher movies of days past is seemingly lifted, borrowed or paid tribute to in this. The strange synth score, the killer’s hood, the "is he dead or isn't he" multiple endings, the late tie-in to the prologue, the jump into frame scares; it's all here.   

While it is all obviously completely unoriginal, it is very well made and the acting is pretty good for a real low budget movie like this.  There are even one or two scares that got me.  But besides that, the fact that it is such a homage to prior slasher movies that I had more fun picking out all the stuff that I had seen elsewhere than I did watching the actual movie.  Know what I mean?  It's a wonder this won some awards at film festivals.  Fans of 80's slasher movies (and this won't really appeal to anyone besides those people) will want to see this to pick out all the scenes from their favorite movies.  Beyond that, I'm afraid it won't really appeal to anyone else.  On a side note, it is very competently made, so I will definitely keep my eyes open for what director Steven Mena does next, as he very clearly has some talent.  (Edward Black)

Man-Thing’ (2005, Lion’s Gate Films)

Directed by Brett Leonard 

Okay, it’s not like Man-Thing is exactly one of the greatest comic book characters.  Bascially he was Marvel’s rip-off of DC’s Swamp Thing.  Both were (initially, at least) men transformed into walking piles of vegetation, with Swamp Thing being more or less heroic while Man-Thing was a mindless empath.  As the tagline of Man-Thing’s second run as a regular series stated, “Whoever knows fear burns at the touch of the Man-Thing”.  This was about the only marginally interesting thing about the character.  So of course, the filmmakers did away with it.  With what little motivation Man-Thing gone, he’s just another generic monster in this cheap and stupid film version.  And to add insult to injury, Man-Thing is little more than a guest star in his own movie.  The main story is about a bland sheriff trying to solve the murders our swamp monster has been committing.  There’s some attempt to pass off these violent actions as Man-Thing somehow protecting the swamp from evil industrialists, but since Man-Thing kills any and every person dumb enough to cross his path, it doesn’t really fly.  The acting and production values are competent,  but whether you’re a fan of the comic this was based on or not, there’s nothing in ‘Man-Thing’ even remotely interesting or fun.  ‘Man-Thing’ had its debut on the Sci-Fi channel, but for the DVD release some gore and nudity have been restored to earn this flick an ‘R’ rating.  Even if you consider that a plus, it still doesn’t add up to much.  (Bob Ignizio)