The Catheters--Static Delusions and Stone-Still Days (Sub Pop)--this album was
a big surprise for me. ; Hearing the Catheters' first self-titled album, I
knew they were okay, but this album is a step in the right direction. The
band's namesake might remind you of a punk band, but this album is definitely
more loud rock than punk. A few of the songs hint at a Stooges influence, but
all in all this is a solid, original album that should be played loud and
frequently.
The New Bomb Turks--The Night Before The Day The Earth Stood Still (Gearhead)--I
almost put this one at #1, but reluctantly decided against it.< This album
features a cleaner-yet-still-pissed-off NBT, dishing out the insults like they
do oh-so-well. Alot of people expected the Gearhead release to be a throwback
to earlier Turks albums, but this is not the case--it picks up right where
Nightmare Scenario left off. A completely excellent album that doesn't have a
bad track on it.
Sahara Hotnights--Jennie Bomb--These girls should be giving the Donnas a run
for their money right now. Better chops, better songs, better live show.
Hotter. Need I say more?
Demons--Stockholm Slump (Gearhead)—of all the Swedish groups to come out last
year, these guys seem to be less influenced by the garrage-rock that made 2002
so interesting, and more influenced by true punk like the Ramones. All in
all, a loud, solid album.
Hellacopters—Cream of the Crap! (Gearhead)—This is a release of old demos,
B-sides, and one-offs. This album is something that metalheads and punk
rockers can both enjoy, because it’s both hard and fast. Highlights of this
album are the Stones and Stooges covers.
The Mooney Suzuki—Electric Sweat (Gammon)—aside from having a great live show,
The Mooney Suzuki followed up their album “People Get Ready” with a balls-out
MC5ish record. Some people don’t like it because they say it’s TOO MC5ish,
but I never thought sounding like the MC5 was a bad thing…
The Donnas—Spend The Night (Atlantic)—I never thought the Donnas would release
a good album after their awful Turn 21. But they switched labels and I’m
pleased to say, The Donnas are back, and they rock. In addition to having
better music, the singer finally learned how to sing. Call them sellouts,
mainstream, or whatever, but if this is the future of music, then I have no
problem with it.
The Greenhornes—Dual Mono (Telstar)—This is quite possibly one of the finest
60’s garage revival bands in the world. Nothing really loud or lo-fi here;
the music is very polished, laid back, easy to groove to. A good record to
play around girls—they seem to like it.
The Forgotten—Control Me (BYO Records)—Sorry, I’m a sucker for snotty, easy
punk rock. There’s nothing really revolutionary here, but that’s a good
thing. They’ve basically just taken what has been working in terms of punk
rock, and kept going with it. No groundbreaking riffs, lyrics, or anything.
Just a great punk album.
T-Model Ford--Bad Man (Fat Possum)--Hands down one of the best bluesmen of the
modern era. This is raunchy, dirty, boogie stomp bluees. Proof positive that
shitheads like Eric Clapton, Kenny Wayne Shepard, and even BB King don't know
jack shit about the blues. This is the real deal--gritty, unpolished,
unrehearsed. Just how it should be.
Ramones—End of the Century reissue
Ramones—Pleasant Dreams reissue
Ramones—Subterranean Jungle reissue
Ramones—Too Tough To Die reissue
The Antisocialists—9 track demo tape
The Cherry Valence—Riffin’
V/A—Rise Above-24 Black Flag Songs to Benefit The West Memphis Three
The Dukes Of Hamburg—Some Folks by the Dukes Of Hamburg