There are a ton of new
releases hitting the streets this month and the next, and the latest release
from Germany's Elis is one of the best. Symphonic, gothic, dark, majestic, and
stirring...all at the same time, this album is a treat for fans of both sweeping
female vocals and progressive European hard rock. In fact, Elis' sound is a
real amalgamation of various underground styles...goth, prog, symphonic,
extreme. They combine their influences in a better way than most, hinting at
their favorites without sounding like they're ripping any of them off. The male
growling vocals of "Heart In Chains" is the perfect counterpoint to lead singer
Sabine Duenser's angelic soprano, and the aggressive drumming at the beginning
of "Lost Soul" would get any metal head's head banging. And yet the band is
capable of exquisite beauty, such as in the album closing "Ballade". The fact
that some songs ("Der Letzte Tag", "Die Zeit") are in German just make things
more interesting. In the flood of heavy bands coming out of Europe these days,
Elis is DEFINATELY one to watch! The Heathen Hippy gives it four pints of good
German beer. (Taliesin Govannon)
And now for something
completely different...at least as far as the music I've been reviewing lately
goes. ‘Xes Haereticum’, the latest from Enthroned, is a blistering slab of good
old-fashioned Black Fucking Metal. Glaurung's drums are machine-gun perfect,
and they blast the listener back to the dark ages. Nornagest and Nguaroth's
guitar work is dark and crisp, and bassist Lord Sabathan's vocals are in the
high end without sounding silly (which is NOT easy, let me tell you). The album
blasts off with the menacing "Crimson Legions", and it's one piece of black
revelation after another from there. "Last Will" has a great groove, and
"Vortex of Confusion" is downright evil, man! Kudos to the Harris Johns,
the producer of this work. He kept everything clear, destroying the myth that
Black Metal has to be muddy to be atmospheric. My only complaint (and it's a
small one) is that I don't like the cover art. But that's just because
Enthroned usually features hella great paintings on their albums (my favorite
was ‘Goatlust’...and you can imagine what that was like!), and the satanic
silly-putty sculpture on this one looks, well...kinda lame. But the music is
what matters, and this album kills. The heathen hippy gives this album four
balls of satanic silly-putty. (Taliesin Govannon)
Let me tell you a story,
kiddies...once upon a time, there was this band from Seattle. Led by a pair of
sisters, this band made some of the best melodic hard rock of the 1970's,
combining kick-ass riffs with acoustic accents and incredible vocals to
entertain fans of all rock genres. But come the 80's, the band tinkered with
their sound, the hits stopped flowing, and they did the worst thing
imaginable...they re-made themselves to "fit with the times". Big hair,
over-produced albums, and thin pop songs written by hired guns followed, and the
band traded their credibility for a couple of more years on MTV. When they did
an insipid tune about some chick getting intentionally knocked up by a one-night
stand, most of their old fans wondered what ever happened to that great band
from Seattle. Well kiddies, I can tell you...they hung out in the 90's, not
giving a shit about popularity, and found their souls again. Come the 21st
century, and Heart is back in grand style with ‘Jupiter’s Darling’. Folks, it's
like the 80's never happened for the band, and that is a good GOOD thing. This
is the album that Heart fans have been waiting for since ‘Bebe Le Strange’, and
it's been worth the wait. From the album opener "Make Me", through "The Perfect
Goodbye", "Move On", "Fallen Ones", and many many more, the Wilson sisters
remind you of the band responsible for "Barracuda". "Enough", "I Need The
Rain", and "Led To One" show that they haven't lost the Zeppelin edge (and let's
face it...Heart was one band that could pay homage to the mighty Zeppelin
without ripping them off). If you liked anything that Heart did circa
1976-1980, then BUY THIS ALBUM!!! It's everything you wanted and more. The
Heathen Hippy gives this five platinum albums! (Taliesin Govannon)
Lazy Lane – ‘Keepers of the Gloom’
(self released)
I
believe this is the second full length release from Pittsburgh goth rockers Lazy
Lane. I like this band, especially in a live setting, but as with their
previous CD ‘---‘, this latest disc falls short of blowing me away. The band is
excellent, the songs are well written, and vocalist Lily Lane has a good voice
that reminds me of Shirley Manson of Garbage. The problem is they need a
producer to help them get the most out of their material. The arrangements need
more dynamics and the mix is weak, with the bass overwhelming the guitar more
than it should. This feels like déjà vu, because I wrote almost the exact same
thing about the band’s previous release. Despite my disappointment in the
production/mix, I’d still recommend this to fans of goth rock. The vibe is
suitably creepy/sexy and the songs are better than most of what I hear in this
genre. Also, thanks to what sounds like a bit of an Alice Cooper influence, the
band has potential crossover appeal to non-goth audiences. Lazy Lane is
definitely worth checking out, especially if you get a chance to see them in a
live setting where they really shine. But despite some reservations, I’d say
picking up this disc is a reasonable alternative if they aren’t doing any shows
in your neck of the woods. For more info, visit
http://www.thelazylane.com. (Bob Ignizio)