Dumping
garbage on the
side of the
information
super highway
since July 2002

Main
Updates
North Coast News
Interviews
Articles
Albums
Movies
Shows
Pictures
Letters
Archives
Guestbook
Contact Us
Staff
Links

 

 

 

The Joys of Rock Journalism:

My Take on the Jason Bracelin Controversy

By Bob Ignizio 

Recently, fellow music writer Jason Bracelin of Scene took quite a thrashing in that magazine’s letters pages.  I’ve sent my own letter to the editor in his defense, but whether or not it gets printed I wanted to write about the topic at greater length.  For those who don’t have any idea what I’m talking about, here’s a brief summary.   Jason wrote a concert preview piece on two competing metal shows taking place on the same night.  One show featured Dio, Kings X, and Hammerfall.  The other was Blind Guardian and Symphony X.  In his article, Jason made a number of comments, intended to be humorous, that nonetheless were pretty harsh not only with regards to the bands in question but their fans as well.  While it’s not how I would have written the piece, it’s his right and his job to state his opinion.  Some people, however, seem to think that Bracelin deserves to be fired for his comments.  Not only that, in their letters they resorted to personal attacks.  That I take exception with. 

First of all, how can you start a letter by making fun of someone’s last name, and then in the same paragraph accuse this person of “immatureness” (sic)?  Another letter writer seems to think that because Jason isn’t in a band himself, he has no right to criticize anyone else.  The only qualifications for being a music critic are having a pair of ears and possessing some way of communicating your opinions.  Hell, I’ve played in bands of varying degrees of obscurity since 1987 up until just a couple years ago.  I can’t say that having done so makes my opinions any more or less valid.  The average person who listens to music doesn’t play in a band or care how difficult a particular song is to play.  All they care about is does it sound good to them.  Opinions are like assholes.  Everybody has one, and most of them (including mine, if you like) are full of shit. 

Besides, if you read the article in question it isn’t altogether negative.  Bracelin had good as well as bad things to say about all the bands in question with the exception of Symphony X.   Most of his criticisms utilized exaggeration for humorous effect, although one can argue with how successfully he pulled it off.  But if you can’t take a little ribbing about your musical tastes once in a while you’re just taking yourself too damn seriously.   I mean, I love Manowar (also recipients of a barb from Bracelin’s poison pen), but that doesn’t mean I can’t admit the idea of 40 year old guys dressing like Conan has at least some element of absurdity to it.  I suspect the band themselves are smarter than their detractors give them credit for and take somewhat of a tongue and cheek approach to their music.  After all, their original guitar player was in The Dictators, a band known for its sense of humor.  

The other thing I don’t  understand is why so many people in the underground seem to expect Scene (and other corporate owned media outlets like commercial radio and MTV) to cater to them.  At least since Bracelin started writing for Scene, the amount of coverage for local and underground bands has gone up a little bit.  But ultimately, mainstream media has never cared about the underground.  We just don’t have the demographics they want.  As the old saying goes, if you want a job done right, do it yourself.  That used to be the whole foundation of the underground.  Back when Scene was actually focused on music, there were several fan published papers and zines filling the gaps in their coverage.  Now that Scene has switched formats, the only print alternative I’m aware of is Music’s Bottom Line.  Does that make sense to you? 

And while I’m off on a rant, I might as well mention my feelings on Cleveland radio.  I can understand the frustration of underground music fans who don’t live in an area that can pick up college radio.  But when I hear people living in range of WJCU, WRUW, and WCSB complaining that there’s nothing good on the airwaves I’m just baffled.  Even in the Akron area there are better alternatives to corporate radio in the form of WSTB and WAPS.   But when you tell some people about these options, they still keep tuning in to The Buzzard or “Extreme” Radio.  Do they think their radios will explode if they tune them too far to the left?  Or maybe they’re worried about missing all those great commercials.  I just don’t understand it. 

I’m not saying you shouldn’t complain about something you disagree with.  This is still America, after all.   But calling for someone to be fired just for disagreeing with you is ridiculous.  Especially when, taken as a whole, that writer’s work has done more good than harm.  If Bracelin were to be let go I shudder to think what his replacement would be like.  In all likelihood, Scene being part of a huge chain of papers, they’d just fill his space with someone from out of town.  It would be cheaper and easier than finding someone locally who actually knows his stuff, especially if they think their job might be in jeopardy for having too strong an opinion.   

For the record, I don’t have that much use for Scene myself.  Since most of their news stories don’t interest me, I can usually get through all that I care to read in one decent trip to the crapper where if I run out of toilet paper it might come in handy.  I’m sure there’s people who feel the same way about my website, although using your computer screen for personal hygiene purposes probably isn’t a good idea.  The point is, if you want change go out and make it happen.  Feel free to send any love/hate mail in response to this article to trashmag@uttertrash.net.  I’ll post any responses I get, good or bad.