Dumping
garbage on the
side of the
information
super highway
since July 2002

Main
Updates
North Coast News
Interviews
Articles
Albums
Movies
Shows
Pictures
Letters
Archives
Guestbook
Contact Us
Staff
Links

 

 

 

Alien vs. Predator

Collateral

The Card Player

Garden State

AVP: Alien Versus Predator’  (2004, 20th Century Fox)

Directed by Paul W.S. Anderson 

This one has been talked about and speculated for years.  There was even a comic book series dealing with it.  The concept was great: have two of the greatest movie monsters of all time battle it out on the big screen.  Give it a big budget too.  Make it the greatest battle ever.  Right?   No.  Unfortunately no.  And it kills me to write this, seeing as this should have been the action movie of the year.  Where to start?  The plot deals with an Antarctic expedition.  They find an ancient Aztec pyramid.  They find mangled human skeletons.  Uh oh, there are Aliens there, too.  To make matters worse, there are some coming-of-age Predators on their way, since the temple is sort of a Predator proving grounds.  Now the humans are caught in the middle.  Yikes. Yikes is right.   

First off, all the cool, "tough", characters are killed off way too early.  That counts most of the Predators too.  Then all we are left with are unlikable characters, characters who we don't care if they live or die.  This movie is rated PG 13.  Every other Alien or Predator movie was rated R.  What do we lose?  All the cool effects and viscera that filled the other films in the individual series.  And that is lame.  This was obviously cut in parts, so maybe one day a director’s cut DVD will come out, but it will hardly save the movie.  And what about the actual Alien versus Predator battles?  They suck!  Big time.  They’re edited at such a fast pace, with quick edits, that we don't get to see anything happening.  In fact, the editing makes it hard to tell what is even going on during some of the battles.  That is lame.  It feels like the whole thing was edited down and cleaned up (ie: dumbed down) for a larger, younger, audience. Way to alienate all the fans of the previous movies!   

My other big complaint is how the director makes the Predators look like the biggest pussies ever.  Most of them even get killed real early in the movie.  What happened to the master hunters of the other two Predator movies?  The ones with Alien skulls and dinosaur skulls in their ships?   It is explained that the Predators are coming of age, but still, they are made to look weak, and it ruined the movie for me.  I'[m not done yet either.  The whole chestburster way of working, as established in ALL the other

Alien movies, is changed.  It is sped up.  I mean, why not speed it up?   Some of the best character development in the previous Alien movies was during the time one of the characters had been impregnated.  Why would the director want to bother with character development?  Ugh.  I will say that the effects were cool.  CGI mostly, but still neat.  I did like the part where the Predator can see the Alien inside of a person with his heat vision.  But besides that, I can't say I liked much else.  Lance Henriksen was good, as always.  Oh, and be prepared to laugh (or cry) when the Predator takes his mask off at the end.  Even the predator design looked off.   

Overall, this movie was a huge waste of time.  Both series were changed around and mistreated.  This could have been a movie for the time.  But instead, it is nothing more than useless and forgettable.  The acting is bad, the characters unlikable, the action too messy, and the ending was completely lame.  Definitely the let down of the summer. (Edward Black)

The Card Player’ (2004, not currently released in the US) 

Directed by Dario Argento   

Dario Argento is a man who knows how to film the bizarre.  The subject matter and visuals in classic movies such as ‘Tenebrae’, ‘Deep Red’ and ‘Opera’, at one time, made him the number one horror director.  Not only did he know how to film the ghastly death scenes, but he always had a knack for memorable camera work.  That skill seemed to fade in the 90's with the release of the awful ‘Trauma’.  ‘The Stendahl Syndrome’ and ‘Phantom Of The Opera’ followed, and there is really nothing positive at all to say about those.  He attempted a come back with ‘Sleepless’ (2001), but aside from a few shocking and gory murders, the film really had nothing to offer.  Almost gone was the amazing visual flair he used to be known for.  Well, it's 2004 now, and time for another "return to his giallo roots".  And I'm sad to say that the results are piss-poor at best.  The plot follows a group of policemen and women and some others who are forced to play a game with a mystery killer who uses the internet/webcams/etc. to carry out his dastardly deeds.  When the "good guys" fail, the "bad guy" murders someone new.   

And it's all bad.  Most notably, the acting is terrible.  The actors playing the police are not believable for one minute, much less and entire movie.  They obviously did not have much to work with, script wise, but there is no excuse for this.  Yes, it is that bad.  There are a few nice shots of Rome, but besides that, where is all the nifty camera work he used to include in all his movies?  A lot of the scenes here seem culled from a TV movie, which would make sense, since there is a noticeable lack of violence or blood or anything else which used to make his films exciting.  There is no suspense either.  The score is not half bad, but this movie needs a lot more than a catchy soundtrack to save it.  The acting ruined it for me.  I was so uninvolved with the characters, that when anything noteworthy happened to them, I no longer cared.  Don't get me wrong.  I don't sit around expecting Dario Argento to remake ‘Tenebrae’ and ‘Suspiria’ over and over.  Hell, if he wants to try something new, go for it.  Just try and make it good.  However, there is no excuse for this.  Sure he has made some fantastic movies, but this is just not one of them.  (Edward Black)

'Collateral' (2004, Dreamworks)

Directed by Michael Mann   

Tom Cruise movies are hit or miss with me.  I like some of them (‘Jerry Maguire’) and I find others to be over rated and boring (‘The Last Samurai’).  And anyone who says this isn't a Tom Cruise movie is kidding themselves, because he is Tom Cruise and he is a huge star.  I don't care how big of a star someone is, but if they can act, then more good luck to them.  I saw trailers for this months and months ago and it looked like something I would be into.  It is directed by Michael Mann (‘Manhunter’, ‘Heat’, etc.), a director whose work I love.  My hopes were high.  And I am glad to say that this is the best movie I have seen all summer.

The story is about a lonely cab driver (Jamie Foxx).  He is out one night and a man offers him a lot of money to drive him to five different locations so he can close a "real estate deal".  This mystery man is played by Tom Cruise.  We quickly find out that this man has nothing to do with real estate and in fact, he is a hit man, hired to kill five people by 5 am.  The movie details their relationship through the night and the events that take place.   

The first thing I want to talk about is the acting.  It is nothing short of amazing here. Anyone who saw Any Given Sunday knows that Jamie Foxx is one of the best dramatic actors around today.  And it's a shame every time he wastes said talent in some dumbed down romantic comedy.  Well in ‘Collateral’, he is back on top, holding his own, and I would say even surpassing proven talents like Tom Cruise.  Tom Cruise is not bad here, though.  Not even close.  He takes on his role with a quiet anger and does a real good job.  It would have been easy for him to be an over the top lunatic, but he did the opposite, and it is unsettling to see how he goes about his business in such a cool manner.   

Second, the pace never lets up.  It would have been a cake walk to just show them go from killing to killing, but the character development and the plot turns that take place from scene to scene, take the whole movie to a higher level.  We’re always learning something new about the cab driver or some weird thing about the hit man.  Their interaction is classic stuff.  

Finally, there is some action here as well.  Good action.  There is a shoot out in an Asian night club that is low key, but exciting and wild at the same time.  There are no stunt men jumping through windows and acrobatic stunts.  The gun play is more realistic, like the big shoot out in heat.  By the time you discover the final plot twist, you will be so involved with the characters and the story that you will have to see what happens.  The acting, direction and story are THAT good.  This is the best movie I have seen all summer.  By far.  (Edward Black)

Garden State’ (2004, Fox Searchlight)

Directed by Zach Braff 

TV actor Zach Braff has surprised critics, including this one. ‘Garden State’ is one of the most refreshing films I’ve seen in ages.  Besides the fact that his acting is great, his writing skills are even better. The story in this movie is unique, always taking you down little forks in the road.  I really didn't know what to expect when critics were calling this "this year's 'Lost In translation' ", because I thought that ‘Lost…’ was one of the most overrated films of last year. So let me say, this movie is not anything like ‘Lost in Translation’; it's a million times better. 

The story takes you through the journey of Braff's character Andrew Largeman, who is a failed actor. Largeman is back home after his mother dies. He and his father have never gotten along, because his father, a Psychiatrist would rather Andrew didn't feel anything at all. Since he was a child, his father had him on massive amounts of medication after an incident as a child that forever marred the family. So instead of mourning with his father, Andrew journeys out to see where his friends have all ended up.  Most of them have gone nowhere, or to strange places (one of them invented Velcro that doesn't make "that" sound), except one, played by Peter Sarsgaard.  While the Sarsgaard character is still sort of a loser, he has a heart. 

Along this journey, Largeman meets Samantha, played by Natalie Portman.  Portman does a great job with her role. a lonely girl who tells little lies to make conversation.  She and Largeman meet in a doctor's office and a romance begins. The movie shows how the two end up teaching each other a lot about themselves. In the end, Largeman, who had spent years numbed from medication, finally learns how to feel.  And it's a feeling like no other...love.  An entertaining and truly amazing film. (Eddie Fleisher)