'Atlantics' is both deep and eerie

[ATLANTICS screens Thursday December 12^th at 8:35pm and Friday December 13^th at 7:00 pm at the Cleveland Cinematheque.

ATLANTICS (Atlantique) tells the story of Ada (Mame Bineta Sane), a young woman living in Dakar, Senegal. She is in love with Souleiman (Ibrahima Traoré), one of the construction workers erecting a luxury skyscraper on the seacoast, but is betrothed to the less personable but more financially stable Omar (Babacar Sylla). It would seem Ada has a decision to make, but the choice is taken out of her hands.

Soulemain and the rest of the workers haven’t been paid in 3 months. Hoping to find better prospects, they head out to sea. Ada doesn’t find out until after the fact, and is understandably upset. But with her nuptials fast approaching, she can’t exactly talk about her feelings openly, even when it begins to seem likely that Souleiman and the others have died at sea.

Errol Morris questions controversial figure Steve Bannon in 'American Dharma'

[AMERICAN DHARMA screens Friday December 6^th at 7:00 pm and Sunday December 8^th at 8:20 pm at the Cleveland Cinematheque.]

Review by Bob Ignizio

A documentary about Steve Bannon probably seems like an odd choice to review for Utter Trash. I could be snarky and justify it by saying that Steve Bannon is utter trash, but that would be beneath me. No, the real reason I’m reviewing AMERICAN DHARMA is because it was directed by Errol Morris, the filmmaker responsible for some of my favorite documentaries. And since this is my blog, I get to do what I want, dammit!

I may not care much for Bannon, but there’s no denying he’s an interesting figure. And if anyone could make a good film out of such a despicable guy, I figured it would be Morris. After all, he pulled the same thing off with such questionable individuals as Fred A. Leuchter, Jr. (MR. DEATH) and Robert S. MacNamara (THE FOG OF WAR). Both of those subjects proved to be forthcoming and open in their interviews with Morris. But Leuchter was frankly kind of naïve when it came to revealing himself, and MacNamara was looking back on his career with regrets he wanted to get off his chest. Neither of those things is true of Bannon.

It May Be 'First Love', But First They Have To Survive.

[FIRST LOVE screens Friday November 22^nd at 9:00 pm and Saturday November 23^rd at 9:25 pm at the Cleveland Cinematheque.]

Review by Bob Ignizio

As FIRST LOVE (Hatsukoi) begins, a severed head rolls into the middle of the street and blinks in shock. It’s the kind of moment one expects from prolific Japanese cult director Takashi Miike (ICHI THE KILLER, GOZU, 13 ASSASSINS, HARA-KIRI: DEATH OF A SAMURAI, and so many others).

Written by frequent Miike collaborator Masa Nakamura, FIRST LOVE crams a small army of characters and just about every noir and yakuza movie trope one can think of into its script. Double crosses and twists abound, but the complex plot of can be boiled down thusly: Leo (Masataka Kubota), a boxer told that he is dying from a brain tumor, saves Monica (Sakurako Konishi), a prostitute and drug addict, from corrupt police officer Otomo (Nao Ōmori), who is trying to kill her as part of a scheme to steal drugs from the Yakuza.